I recently discovered the Serpent. This is a musical instrument vaguely similar to a tuba, but developed in the late 16th century for the purposes of church music. The idea was apparently to create an instrument which sounds similar to a low male voice, so as to enhance the lower ranges of plainsong. Opinions on the instrument are mixed, to put it tactfully:

It is blown with a cup shaped mouthpiece which is very similar to that of a trombone or Euphonium/Baritone. Played softly, it has a firm yet mellow tone color, or timbre. At medium volume, it produces a robust sound which seems to be a cross between the tuba, the bassoon, and the French horn. When played loudly it can produce unpleasant noises reminiscent of large animals in distress. [source]

Over the past four centuries, other writers have been far nastier. And it sounds like a nightmare to play:

The Serpent really requires a totally unique approach and playing technique….Because it is not possible for the basic Serpent to be vented properly, the instrument does not conveniently resonate at the desired pitches the way modern wind instruments do….

Since the Serpent does not center accurately on most notes, the player must be able to ‘sight sing’ the music much like a singer must look at a given note and produce the correct pitch without mechanical assistance. Once the player has the specified pitch in mind, he must then produce the required vibration with his lips, forcing the instrument to go along even if it cannot actually resonate at that frequency.

There must, somewhere, be groups of people dedicated to playing the oddest of instruments. Ideally together.

Tube strikes make the unions pretty unpopular.

What if the unions instead had a (publicised) day of turning a blind eye to fare-dodgers? That would still cost their employers plenty of money, but would presumably fill the public with enthusiasm rather than hatred.

The main problem would be that while there’s plenty of legal protection for strikes, there’s much less for employees refusing to perform some part of their job. Doubly so since London Underground undoubtedly already has disciplinary procedures in place for staff who help fare-dodgers. Also I’d imagine many tube employees not being too keen on people who don’t pay.

Still, it’d be a nice change from strikes. Have any transport unions tried this kind of thing, elsewhere in the world? What was the result?

JWZ on Witch House as an after-tremor of goth:

the current batch of “Witch House” bands, which is a micro-genre that was invented about six minutes ago that seems to be comprised of an odd mix of late-80s goth, shoegaze and trip-hop, as if Love is Colder Than Death were covering Jesus and Mary Chain while the singer from Rosetta Stone tried to rap…it’s just about the only thing that remotely qualifies as “goth” that has come out in the last ten years.

Wobbly in the Shell:

The army of production must be organized, not only for the everyday struggle with capitalists, but also to carry on production when capitalism shall have been overthrown. By organizing industrially we are forming the structure of the new society within the shell of the old.

Eucatastrophe: Tolkein’s term for the unexpected happy turn at the end of story. I would have imagined, firstly that there would be an existing term for that, and secondly that Tolkein would have known it. Apparently not.

Jesus. This really isn’t a parody:

Product Red, styled as (PRODUCT)RED, is a brand licensed to partner companies such as Nike, American Express (UK), Apple Inc., Starbucks, Converse, Bugaboo, Penguin Classics (UK & International), Gap, Emporio Armani, Hallmark (US) and Dell. It was founded in 2006 by U2 frontman and activist Bono and Bobby Shriver of ONE/DATA to engage the private sector in raising awareness and funds to help eliminate AIDS in Africa