Like Washington’s go-go, Baltimore Club exists as a regional sound relatively unknown outside the mid-Atlantic. The music blends the repetitive boom of house or techno with hip-hop’s aggressive posturing and full-frontal frankness (one of the most popular B-More singles is DJ Booman’s “Watch Out for the Big Girl”). What B-More lacks in subtlety it overpowers with shouted hooks, uncleared samples and chest-rattling bass patterns that induce dance-floor euphoria. Baltimore Club allows hip-hop heads to get their rave on.

Still can’t figure out if I like bmore at all, or if it’s just Donna Summer. Suspect the latter

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