Sign and Sight, in its weekly guide to the cultural pages of German newspapers, is keeping up a relentless focus on Chinese art. I’m struggling to figure out how much this is a reflection of a genuine trend in the German media, and how much it’s just the interest of S&S’s writers, editors or backers.

The Tagesspiegel has a good old rant about the caution and backwardness of Berlin theatre:

All das existiert bis heute, es ist die Avantgarde von gestern und vorgestern. Wie modrige Pilze. Die Formen und Mischformen erzeugen kaum mehr Reibung, sie werden mehr oder weniger aufregend recycelt.

You want to pat the author on the back, give him a pep-talk. I don’t know nearly enough about the Berlin theatre scene to say whether it’s accurate; certainly there are few people with a positive word to say about Berlin theatre at the moment. My feeling, though, is that the big and famous theatres are

always

boring, in every city. The interesting stuff is going to come through newer, smaller venues, of which the article avoids much mention. HAU, for instance, seems to be the epicentre of interesting theatre in Berlin, with a constantly-changing programme that puts the bigger places to shame.

On the other hand, much of HAU’s content comes from touring companies; that might not make them the best advert for Berlin thetre.

Ulrich Beck is writing a monthly column on ‘Weltinnenpolitik‘ for the Franfurter Rundschau. His first piece is devoted to the political demands of sans-papiers. It’s not a bad introduction to the issue, which apparently hasn’t really come to the fore in Germany. Particularly, the extent to which entire industries and cultures depend on illegal workers.

Crooked Timber book recommendation threads are always,

always

worth reading. This time, fantasy, with an interesting number of people trying to worm some SF in one way or another. Why are there more people talking about ideas, people and society in an SF than a fantasy setting? Can we blame it all on Tolkein?

Once upon a time there was an excellent blog called Volsunga. But its author got busy, or bored, and the blog vanished into the ether. It’s now no longer even in the wayback machine, so far as I can see. But – the author has returned!.

Meanwhile, here is another new blog from another excellent person. I like this trend; the more blogs the better.

Just started reading A.S. Byatt’s

Possession

, and am massively enjoying it. Somehow able to be excited by it even though all the characters are, so far, noticeably wet. Little understanding of

why

I like it, though — or at least none I’ll put in public on the web.

From Art Goldhammer’s lecture on French culture:

A Jew, Sartre said, is one who is a Jew for the anti-Semite. So let us say that Culture is that which is Culture

for the Other. And let us stipulate further that the Other of Culture is Power, with which it is

locked in mutual embrace