Category: Uncategorised

Harold Wilson: ““I see myself as a big fat spider in the corner of the room. Sometimes I speak when I’m asleep. You should both listen. Occasionally when we meet, I might tell you to go to the Charing Cross Road and kick a blind man standing on the corner. That blind man may tell you something, lead you somewhere.””

Nick Clegg is now promising “

the most significant programme of empowerment… since the great enfranchisement of the 19th century. The biggest shake-up of our democracy since 1832, when the Great Reform Act redrew the boundaries of British democracy.

”

er…you don’t think there might have been a few important bits of empowerment since then, Nick? Like, votes for women? Or, for that matter, votes for non-rich men? Or education and healthcare; IMO the opportunity to be literate and not dead is reasonably empowering. I’m all for libel reform and regulation of CCTV, but they’re hardly comparable to universal suffrage.

Cowardice, national and personal, allows me to present articles like this only if they’re safely enclosed in ironic bubble-wrap. Can’t think of any, so do it yourselves:

work hard, stay awake, fail well, hang with smart people, shed bullshit, say “maybe,” focus on action, and always always commit yourself to a bracing daily mixture of all the courage, honesty, and information you need to do something awesome

This is a great NY Times article, very much in the tradition of bringing in whichever outside expert knows plenty about the subject, and (presumably) giving them very thorough editing for language and comprehensibility.

The subject is aelf-tracking, automatically gathering data about your health, mood, daily activities, storing it in a form which allows you later to analyze it and unpick the interactions between aspects of your daily life:

A hundred years ago, a bold researcher fascinated by the riddle of human personality might have grabbed onto new psychoanalytic concepts like repression and the unconscious. These ideas were invented by people who loved language. Even as therapeutic concepts of the self spread widely in simplified, easily accessible form, they retained something of the prolix, literary humanism of their inventors. From the languor of the analyst’s couch to the chatty inquisitiveness of a self-help questionnaire, the dominant forms of self-exploration assume that the road to knowledge lies through words. Trackers are exploring an alternate route. Instead of interrogating their inner worlds through talking and writing, they are using numbers. They are constructing a quantified self.

The project most interesting to me was one of the simplest, the moodscape mood-tracking system. And even there, it’s less for the interface itself than for the list of mood elements, which I may well incorporate into a spreadsheet and skip the online elements entirely.

It’s a sad reflection on the state of our politics that nobody is mentioning how useful redistribution of wealth/income would be from a purely economic perspective, in stimulating increased spending &c. AG touches on it here. but there’s doubtless much better information elsewhere.

Within the EU, Britain has the second-largest income difference between men and women. Things are worse only in Italy:


male-female-diff.PNG (PNG Image, 303×673 pixels) – Scaled (86%)

AG on the burqa:

“Will a surveillance team stake out the Gare du Nord or the Sunday market at Cergy? Will Eric Besson and Brice Hortefeux accompany the flics as they lay hands on the offending ‘agent of Islamism?’ Will she be taken for a garde �vue and, in the name of equality of women and public security, be stripped of her robes and headgear, searched, photographed, and displayed on the evening news? Will she be hauled into court and required to appear with face uncovered before her ermine-clad judges? Will she then express gratitude to the state for emancipating her from her oppressive culture?”

My attitude to Hunter S Thompson is that of the owner of an overindulged rottweiler, calling him a harmless softie while barely restraining the beast. For sure, much of the HST mythos is true: doubtless he was a drug-addled psychotic bastard who you wouldn’t want to turn your back on. Posterity may have literally turned him into a cartoon — both

Transmetropolitan

‘s Spider Jerusalem and

Doonesbury

‘s Duke are based on him — but there was plenty of crazy lingering there from the get-go. Beneath it all, though, there’s a touching melange of disbaused idealism and a surprising affection for those working less dramatically from within the system.

Even

Fear and Loathing in Las Vegas

is, Duke keeps telling us, a search for the American Dream. The intrepid heroes purgatory their torsos, strain themselves to the point of breaking, and through this mortification uncover the nature of their world. The apparent nihilism is the aftermath of broken dreams, the realisation that the chnage which had appeared to be beginning in California in the 60s had come to a juddering halt:

[in the mid-Sixties] there was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda….You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high—water mark—that place where the wave finally broke and rolled back.

This sense of disappointed idealism, and the quest to regain it, appears much more strongly in

Fear and Loathing on the Campaign Trail

. his report from George McGovern’s 1972 presidential campaign. He’s striking in his affection for the young staffes and volunteers fighting for McGovern from within the system, even when their positions are far more centrist and pragmatic than anything Thompson would himself countenance.

Ken MacLeod, The Night Sessions

. Near-future Scotland, recovering from a post-9/11 replay of the Wars of Religion. Churches are allowed to exist only on a private level, with the state studiously ignoring their existence. So when Detective Adam Ferguson begins to investigate the murder of his priest, his attention — and his superiors’ — is on the political and bureaucratic consequences almost as much as on the rapidly-escalating series of killings.

MacLeod’s science fiction is, among much else, a vehicle for satire on the preset. Here it’s most entertaining when confined to small details: Creationist theme parks, for example, or gangster-ridden “Capitalism with Russian Characteristics”. His broader swipes on religion mostly fall flat. Towards the end there is a particularly ludicrous conversion as a True Believer is confronted with the contradictions of the bible* — a shaky plot device on the biblical literalism which a certain kind of atheist shares with only the most extreme of protestant sects.

The science fiction elements are largely window-dressing, with the exception of the robots. Macleod’s robots are superior not only in strength and intelligence, but in their ability to understand human emotion. They unnerve people, even though they are no longer given humanoid form to avoid this very problem. Police robots are loyal and devoted sidekicks to their masters, and the strength of this bond is one of the assumptions driving the plot. And, finally, there’s the question of whether robots could be affected by religion.

These are all interesting questions, but the pace of the book prevents MacLeod exploring them. The Night Sessions is fundamentally a thriller and a police procedural, and theories of robotic personhood have to take a back-seat to that.

*

ETA

: later, it occurs to me that the nature of this is partly a comment on the human/robot comparison. The human is defeated in the same way robots are according to B-movie cliche: show them a contradiction, and wait for them to blow a fuse. Meanwhile the robots, emotionally advanced far beyond human level, have no trouble on this point.

Douglas Coupland, Generation X

. An often uncomfortable book to read, because it’s a good one. Simultaneous identification with, loathing for and jealousy of the characters doesn’t make for a pleasant reading experience.

Like all his books, it’s set in an all-too-real world. The cast are young Americans, raised on marketing and branded aspiration, with every possible gestrue of rejection, independence or individuality already anticipated and commodified by the marketing industry. The plot developments are incidental; the action is in the stories and fantasies of the Generation Xers, mostly of where they find love and beauty within small moments of their lives:

“inspired by my meetings of the Alcoholics Anonymous organization, I instigated a policy of storytelling in my own life, a policy of “bedtime stories,” which Dag, Claire and I share among ourselves. It’s simple: we come up with stories and we tell them to each other. The only rule is that we’re not allowed to interrupt, just like in AA, and at the end we’re not allowed to criticize. This noncritical atmosphere works for us because the three of us are so tight assed about revealing our emotions. A clause like this was the only way we could feel secure with each other.”

Coupland’s happy-ever-after endpoint, here as elsewhere, is for this circle of friends to find a shared language, a common aesthetic in their savviness and semi-rejection of the world, and so an ability to share their perfect moments. The problem is that they aren’t really “tight assed about revealing [their] emotions”. Once the storytelling device clicks into place, they’re all able to talk in the style that is Coupland’s trademark, cannily picking apart the brands and marketed aspirations from which they’ve built their inner lives. The emotional fluency isn’t developed over the book; it’s present from the start, as plot device.

Not only is the endpoint present from the start, it’s also deeply unsatisfying in itself. We can’t leave any mark on the world, he seems to be saying, so should content ourselves with occasional brief moments of beauty and communication. This is both accurate, and sufficient reason to fling yourself off the nearest cliff.